Hand In Hand - Jonathan Kaspar Remix
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 85/100
- Pop
- 20/100
- Length
- 7:16
- Released
- 2024
- Album
- Hand In Hand (Jonathan Kaspar Remix)
- Genre
- Tech House
- Loudness
- -7.9 dB
- Dynamics
- 9.8 dB
- ISRC
- DEG932304665
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hand In Handoriginal10A · 127
- Hand In Hand - Club Mixversion10B · 130
- Hand In Hand - Priori Remixremix10B · 130
- Hand In Handoriginal7A · 130
Against the original (10A at 127 BPM), this version runs 1 BPM slower and moves the key from 10A to 10B.
Hand In Hand - Jonathan Kaspar Remix is a club-tempo tech house track in D major (10B) at 126 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 88% of Kölsch's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 82% of Kölsch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Hand In Hand - Jonathan Kaspar Remix in?
Hand In Hand - Jonathan Kaspar Remix by Kölsch is in D major, or 10B on the Camelot wheel.
What BPM is Hand In Hand - Jonathan Kaspar Remix?
Hand In Hand - Jonathan Kaspar Remix runs at 126 BPM, a club-tempo track.
What mixes well with Hand In Hand - Jonathan Kaspar Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Hand In Hand - Jonathan Kaspar Remix good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Kölsch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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