Firma - Eduardo De La Calle Space Odyssey Remix
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:38
- Released
- 2015
- Album
- Firma
- Genre
- House
- Loudness
- -8.2 dB
- Dynamics
- 11.9 dB
- ISRC
- PLE071505303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Firmaoriginal9A · 122
Against the original (9A at 122 BPM), this version runs 4 BPM faster and moves the key from 9A to 12A.
Firma - Eduardo De La Calle Space Odyssey Remix: club-tempo house, D♭ minor (12A), 126 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More underground than 99% of Trikk's catalogue.
- Groove:
- less groove-driven than 90% of Trikk's catalogue
- Tempo:
- faster than 85% of Trikk's catalogue
- Energy:
- hotter than 78% of Trikk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Firma - Eduardo De La Calle Space Odyssey Remix in?
Firma - Eduardo De La Calle Space Odyssey Remix by Trikk is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Firma - Eduardo De La Calle Space Odyssey Remix?
Firma - Eduardo De La Calle Space Odyssey Remix runs at 126 BPM, a club-tempo track.
What mixes well with Firma - Eduardo De La Calle Space Odyssey Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Firma - Eduardo De La Calle Space Odyssey Remix good for peak time?
With energy 84 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Soul of the World [Niconé remix] by Yulia Niko cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5980706a6e85792df87e.webp){kind=small}
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Trikk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
