Coming Home (feat. John Martin) - Vintage Culture Remix by ARTBAT cover art

Coming Home (feat. John Martin) - Vintage Culture Remix

ARTBAT

30s preview

Key
7B · F major
BPM
126
Open Key
12d
Energy
87/100
Pop
55/100
Length
4:47
Released
2023
Album
Coming Home (feat. John Martin) [Vintage Culture Remix]
Genre
Progressive House
Loudness
-8.9 dB
Dynamics
16.4 dB
ISRC
DEA622304031

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (6A at 128 BPM), this version runs 2 BPM slower and moves the key from 6A to 7B.

Coming Home (feat. John Martin) - Vintage Culture Remix is a club-tempo progressive house track in F major (7B) at 126 BPM. Tonally it lands dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 98% of ARTBAT's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 84% of ARTBAT's catalogue
Groove:
less groove-driven than 80% of ARTBAT's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood20Dark
Groove57
Acoustic0
Instrumental4
Live41
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Coming Home (feat. John Martin) - Vintage Culture Remix in?

Coming Home (feat. John Martin) - Vintage Culture Remix by ARTBAT is in F major, or 7B on the Camelot wheel.

What BPM is Coming Home (feat. John Martin) - Vintage Culture Remix?

Coming Home (feat. John Martin) - Vintage Culture Remix runs at 126 BPM, a club-tempo track.

What mixes well with Coming Home (feat. John Martin) - Vintage Culture Remix?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Coming Home (feat. John Martin) - Vintage Culture Remix good for peak time?

With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 126 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More progressive house

More from ARTBAT

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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