Inferno
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2018
- Genre
- Techno
- Loudness
- -6.5 dB
- Dynamics
- 7.8 dB
- ISRC
- GBKQU1854558
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Inferno (Space 92 Remix)remix4B · 134
A club-tempo techno cut, Inferno sits in D♭ minor (12A) at 126 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Carl Cox's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 87% of Carl Cox's catalogue
- Low end:
- more bass-heavy than 84% of Carl Cox's catalogue
- Tempo:
- slower than 77% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Inferno in?
Inferno by Carl Cox is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Inferno?
Inferno runs at 126 BPM, a club-tempo track.
What mixes well with Inferno?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Inferno good for peak time?
With energy 82 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Soul of the World [Niconé remix] by Yulia Niko cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5980706a6e85792df87e.webp){kind=small}
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
