Lumberjack - Minimal mix by Franky Rizardo cover art

Lumberjack - Minimal mix

Franky Rizardo

30s preview

Key
1A · A♭ minor
BPM
126
Open Key
6m
Energy
82/100
Pop
0/100
Length
5:20
Released
2009
Album
Lumberjack
Genre
House
Loudness
-9.6 dB
Dynamics
11.4 dB
ISRC
NLCM30900018

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo house cut, Lumberjack - Minimal mix sits in A♭ minor (1A) at 126 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2009 production that still circulates in sets. More underground than 99% of Franky Rizardo's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 91% of Franky Rizardo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood60Balanced
Groove81
Acoustic0
Instrumental93
Live52
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Lumberjack - Minimal mix in?

Lumberjack - Minimal mix by Franky Rizardo is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Lumberjack - Minimal mix?

Lumberjack - Minimal mix runs at 126 BPM, a club-tempo track.

What mixes well with Lumberjack - Minimal mix?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Lumberjack - Minimal mix good for peak time?

With energy 82 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 126 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Franky Rizardo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track