Lumberjack - Original mix
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 2009
- Album
- Lumberjack
- Genre
- House
- Loudness
- -10.5 dB
- Dynamics
- 14.8 dB
- ISRC
- NLCM30900017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lumberjack - JoeySuki and Apster remixremix9A · 128
- Lumberjack - JoeySuki remixremix10A · 128
- Lumberjack - Minimal mixoriginal1A · 126
A peak-time tempo house cut, Lumberjack - Original mix sits in D major (10B) at 128 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2009 production that still circulates in sets. More underground than 99% of Franky Rizardo's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 91% of Franky Rizardo's catalogue
- Low end:
- more bass-heavy than 86% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Lumberjack - Original mix in?
Lumberjack - Original mix by Franky Rizardo is in D major, or 10B on the Camelot wheel.
What BPM is Lumberjack - Original mix?
Lumberjack - Original mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Lumberjack - Original mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Lumberjack - Original mix good for peak time?
With energy 64 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
