Obsidian - Rasmus Remix by Anthony Attalla cover art

Obsidian - Rasmus Remix

Anthony Attalla

30s preview

Key
1B · B major
BPM
126
Open Key
6d
Energy
81/100
Pop
0/100
Length
7:18
Released
2008
Album
Obsidian - EP
Genre
Tech House
Loudness
-8.8 dB
Dynamics
10.9 dB
ISRC
USA290812492

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 130 BPM), this version runs 4 BPM slower and moves the key from 11A to 1B.

A club-tempo tech house cut, Obsidian - Rasmus Remix sits in B major (1B) at 126 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. More underground than 99% of Anthony Attalla's catalogue.

Low end:
more bass-heavy than 93% of Anthony Attalla's catalogue
Energy:
calmer than 81% of Anthony Attalla's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood37Balanced
Groove79
Acoustic0
Instrumental89
Live8
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Obsidian - Rasmus Remix in?

Obsidian - Rasmus Remix by Anthony Attalla is in B major, or 1B on the Camelot wheel.

What BPM is Obsidian - Rasmus Remix?

Obsidian - Rasmus Remix runs at 126 BPM, a club-tempo track.

What mixes well with Obsidian - Rasmus Remix?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Obsidian - Rasmus Remix good for peak time?

With energy 81 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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