Deeply Infected - Remix by Juan Kue & Uron by Worakls cover art

Deeply Infected - Remix by Juan Kue & Uron

Worakls

30s preview

Key
2B · F♯ major
BPM
126
Open Key
7d
Energy
81/100
Pop
3/100
Length
6:40
Released
2009
Album
Deeply Infected EP
Genre
Techno
Label
Impulsif Records
Loudness
-8.7 dB
Dynamics
15.1 dB
ISRC
FR6V81027299

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 128 BPM), this version runs 2 BPM slower and moves the key from 9B to 2B.

A club-tempo techno cut, Deeply Infected - Remix by Juan Kue & Uron sits in F♯ major (2B) at 126 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2009 production that still circulates in sets. More underground than 98% of Worakls's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 96% of Worakls's catalogue
Groove:
groovier than 89% of Worakls's catalogue
Energy:
hotter than 80% of Worakls's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood58Balanced
Groove80
Acoustic4
Instrumental93
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Deeply Infected - Remix by Juan Kue & Uron in?

Deeply Infected - Remix by Juan Kue & Uron by Worakls is in F♯ major, or 2B on the Camelot wheel.

What BPM is Deeply Infected - Remix by Juan Kue & Uron?

Deeply Infected - Remix by Juan Kue & Uron runs at 126 BPM, a club-tempo track.

What mixes well with Deeply Infected - Remix by Juan Kue & Uron?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Deeply Infected - Remix by Juan Kue & Uron good for peak time?

With energy 81 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Worakls

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track