
Payser
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 7:24
- Released
- 2009
- Genre
- Techno
- Loudness
- -10.7 dB
- Dynamics
- 10.4 dB
- ISRC
- DEBH20900010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Payser - Daniel Marques Remixremix4B · 126
- Payser - Uto Karem Remixremix12A · 128
- Payseroriginal11A · 126
Payser: club-tempo techno, F♯ minor (11A), 126 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Alan Fitzpatrick's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 97% of Alan Fitzpatrick's catalogue
- Groove:
- groovier than 79% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Payser in?
Payser by Alan Fitzpatrick is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Payser?
Payser runs at 126 BPM, a club-tempo track.
What mixes well with Payser?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Payser good for peak time?
With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.