Die Orchidee
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 8:33
- Released
- 2010
- Album
- Start ohne Ende
- Genre
- Tech House
- Loudness
- -9.2 dB
- Dynamics
- 11.9 dB
- ISRC
- DEN951003241
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Die Orchidee: club-tempo tech house, B minor (10A), 126 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Jonas Saalbach's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 94% of Jonas Saalbach's catalogue
- Low end:
- more bass-heavy than 91% of Jonas Saalbach's catalogue
- Brightness:
- brighter than 88% of Jonas Saalbach's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Die Orchidee in?
Die Orchidee by Jonas Saalbach is in B minor, or 10A on the Camelot wheel.
What BPM is Die Orchidee?
Die Orchidee runs at 126 BPM, a club-tempo track.
What mixes well with Die Orchidee?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Die Orchidee good for peak time?
With energy 79 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Jonas Saalbach
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
