Atrap - Remastered
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 7:29
- Released
- 2019
- Album
- Identity Crisis (Remastered)
- Genre
- Tech House
- Loudness
- -11.5 dB
- Dynamics
- 11.0 dB
- ISRC
- GBLV61807819
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Atraporiginal10B · 126
Atrap - Remastered: club-tempo tech house, D major (10B), 126 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Betoko's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 88% of Betoko's catalogue
- Low end:
- more bass-heavy than 87% of Betoko's catalogue
- Tempo:
- faster than 80% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Atrap - Remastered in?
Atrap - Remastered by Betoko is in D major, or 10B on the Camelot wheel.
What BPM is Atrap - Remastered?
Atrap - Remastered runs at 126 BPM, a club-tempo track.
What mixes well with Atrap - Remastered?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Atrap - Remastered good for peak time?
With energy 79 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Betoko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
