Take me with you
30s preview
- BPM
- 125
- Open Key
- 7m
- Energy
- 59/100
- Pop
- 39/100
- Length
- 3:15
- Released
- 2025
- Album
- Sketches 5
- Genre
- Tech House
- Loudness
- -9.5 dB
- Dynamics
- 11.3 dB
- ISRC
- GBKQU2555892
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Take me with you sits in E♭ minor (2A) at 125 BPM. Tonally it lands balanced in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 99% of Betoko's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 92% of Betoko's catalogue
- Energy:
- calmer than 84% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Take me with you in?
Take me with you by Betoko is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Take me with you?
Take me with you runs at 125 BPM, a club-tempo track.
What mixes well with Take me with you?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Take me with you good for peak time?
With energy 59 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![F_ck Your Process - Underlow Remix [Extended] by Plastic Robots cover art](https://i.scdn.co/image/ab67616d00001e02342f17d886d0448c3a92d3f8){kind=small}
How to mix it
In 2A at 125 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Betoko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
