Ground Control - John Tejada Remix
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 59/100
- Pop
- 13/100
- Length
- 6:40
- Released
- 2018
- Album
- Ground Control
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -7.6 dB
- Dynamics
- 10.7 dB
- ISRC
- GBEWA1803143
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ground Controloriginal3A · 125
- Ground Control - Editversion3A · 125
- Ground Control - Live from Printworks Londonoriginal3B · 125
- Ground Control - John Tejada Remix - Editremix3B · 125
Against the original (3A at 125 BPM), this version holds the same tempo and moves the key from 3A to 3B.
A club-tempo deep house cut, Ground Control - John Tejada Remix sits in D♭ major (3B) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 99% of Ben Böhmer's catalogue.
- Brightness:
- brighter than 93% of Ben Böhmer's catalogue
- Low end:
- more bass-heavy than 92% of Ben Böhmer's catalogue
- Reach:
- more underground than 83% of Ben Böhmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Ground Control - John Tejada Remix in?
Ground Control - John Tejada Remix by Ben Böhmer is in D♭ major, or 3B on the Camelot wheel.
What BPM is Ground Control - John Tejada Remix?
Ground Control - John Tejada Remix runs at 125 BPM, a club-tempo track.
What mixes well with Ground Control - John Tejada Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Ground Control - John Tejada Remix good for peak time?
With energy 59 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
