Shake Before Use - Hugo Ibarra & Uvo Remix
- BPM
- 125
- Open Key
- 8m
- Energy
- 58/100
- Pop
- 0/100
- Length
- 7:35
- Released
- 2015
- Album
- Shake Before Use (Hugo Ibarra & Uvo Remix)
- Genre
- Progressive House
- Loudness
- -13.1 dB
- ISRC
- US83Z1515550
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shake Before Use - Ezequiel Arias Space Mixoriginal12A · 122
- Shake Before Use - Shai T Remixremix3A · 123
- Shake Before Use - Dark Soul Project pres. Dancing With Myself Remixremix1A · 122
- Shake Before Use - Original Mixoriginal3A · 125
- Shake Before Use - Satoshi Fumi 'Flash Mountain' Mixoriginal1A · 125
- Shake Before Use - Satoshi Fumi 'Shining' Mixoriginal4B · 125
Against the original (12A at 122 BPM), this version runs 3 BPM faster and moves the key from 12A to 3A.
At 125 BPM in B♭ minor (3A), Shake Before Use - Hugo Ibarra & Uvo Remix is a club-tempo progressive house production. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Cid Inc's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 92% of Cid Inc's catalogue
- Brightness:
- darker than 87% of Cid Inc's catalogue
- Energy:
- calmer than 86% of Cid Inc's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shake Before Use - Hugo Ibarra & Uvo Remix in?
Shake Before Use - Hugo Ibarra & Uvo Remix by Cid Inc is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Shake Before Use - Hugo Ibarra & Uvo Remix?
Shake Before Use - Hugo Ibarra & Uvo Remix runs at 125 BPM, a club-tempo track.
What mixes well with Shake Before Use - Hugo Ibarra & Uvo Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Shake Before Use - Hugo Ibarra & Uvo Remix good for peak time?
With energy 58 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Cid Inc
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
