Shake Before Use - Satoshi Fumi 'Shining' Mix by Cid Inc cover art

Shake Before Use - Satoshi Fumi 'Shining' Mix

Cid Inc

30s preview

Key
4B · A♭ major
BPM
125
Open Key
9d
Energy
43/100
Pop
0/100
Length
7:16
Released
2009
Album
Shake Before Use
Genre
Progressive House
Loudness
-12.0 dB
Dynamics
10.7 dB
ISRC
US83Z0801371

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in A♭ major (4B), Shake Before Use - Satoshi Fumi 'Shining' Mix is a club-tempo progressive house production. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Cid Inc's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 98% of Cid Inc's catalogue
Low end:
more bass-heavy than 92% of Cid Inc's catalogue
Groove:
groovier than 83% of Cid Inc's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood51Balanced
Groove80
Acoustic0
Instrumental89
Live7
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Shake Before Use - Satoshi Fumi 'Shining' Mix in?

Shake Before Use - Satoshi Fumi 'Shining' Mix by Cid Inc is in A♭ major, or 4B on the Camelot wheel.

What BPM is Shake Before Use - Satoshi Fumi 'Shining' Mix?

Shake Before Use - Satoshi Fumi 'Shining' Mix runs at 125 BPM, a club-tempo track.

What mixes well with Shake Before Use - Satoshi Fumi 'Shining' Mix?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Shake Before Use - Satoshi Fumi 'Shining' Mix good for peak time?

With energy 43 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More progressive house

More from Cid Inc

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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