16 Red Even
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 58/100
- Pop
- 57/100
- Length
- 3:00
- Released
- 2025
- Genre
- Tech House
- Loudness
- -10.6 dB
- Dynamics
- 12.5 dB
- ISRC
- DEY472575306
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 16 Red Even - Extended Mixversion4A · 125
A club-tempo tech house cut, 16 Red Even sits in F minor (4A) at 125 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 99% of Boris Brejcha's catalogue
- Low end:
- more treble-tilted than 85% of Boris Brejcha's catalogue
- Groove:
- less groove-driven than 81% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is 16 Red Even in?
16 Red Even by Boris Brejcha is in F minor, or 4A on the Camelot wheel.
What BPM is 16 Red Even?
16 Red Even runs at 125 BPM, a club-tempo track.
What mixes well with 16 Red Even?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is 16 Red Even good for peak time?
With energy 58 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![F_ck Your Process - Underlow Remix [Extended] by Plastic Robots cover art](https://i.scdn.co/image/ab67616d00001e02342f17d886d0448c3a92d3f8){kind=small}
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
