Mondschein Primaten - Pawas Remix by Kollektiv Turmstrasse cover art

Mondschein Primaten - Pawas Remix

Kollektiv Turmstrasse

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
58/100
Pop
0/100
Length
7:44
Released
2008
Album
Mondschein Primaten
Genre
Minimal
Loudness
-11.4 dB
Dynamics
12.8 dB
ISRC
DEAF70936745

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10B at 128 BPM), this version runs 3 BPM slower and moves the key from 10B to 10A.

A club-tempo minimal cut, Mondschein Primaten - Pawas Remix sits in B minor (10A) at 125 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2008 production that still circulates in sets. More underground than 99% of Kollektiv Turmstrasse's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 91% of Kollektiv Turmstrasse's catalogue
Low end:
more bass-heavy than 88% of Kollektiv Turmstrasse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood65Balanced
Groove80
Acoustic1
Instrumental85
Live12
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
3%
High
2.5-11 kHz

FAQ

What key is Mondschein Primaten - Pawas Remix in?

Mondschein Primaten - Pawas Remix by Kollektiv Turmstrasse is in B minor, or 10A on the Camelot wheel.

What BPM is Mondschein Primaten - Pawas Remix?

Mondschein Primaten - Pawas Remix runs at 125 BPM, a club-tempo track.

What mixes well with Mondschein Primaten - Pawas Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Mondschein Primaten - Pawas Remix good for peak time?

With energy 58 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More minimal

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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