Forrest Funk - Part 2
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 7:48
- Released
- 2010
- Album
- Forrest Funk
- Genre
- Tech House
- Loudness
- -7.2 dB
- Dynamics
- 11.7 dB
- ISRC
- DEH741007748
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forrest Funk - Ji-Fi Remixremix9B · 128
- Forrest Funk - Part 1original3B · 127
Forrest Funk - Part 2: club-tempo tech house, E minor (9A), 125 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Marc DePulse's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 86% of Marc DePulse's catalogue
- Groove:
- groovier than 84% of Marc DePulse's catalogue
- Brightness:
- darker than 78% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Forrest Funk - Part 2 in?
Forrest Funk - Part 2 by Marc DePulse is in E minor, or 9A on the Camelot wheel.
What BPM is Forrest Funk - Part 2?
Forrest Funk - Part 2 runs at 125 BPM, a club-tempo track.
What mixes well with Forrest Funk - Part 2?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Forrest Funk - Part 2 good for peak time?
With energy 59 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
![F_ck Your Process - Underlow Remix [Extended] by Plastic Robots cover art](https://i.scdn.co/image/ab67616d00001e02342f17d886d0448c3a92d3f8){kind=small}
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
