Clouding Your Sky
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 59/100
- Pop
- 4/100
- Length
- 6:25
- Released
- 2019
- Genre
- House
- Loudness
- -9.4 dB
- Dynamics
- 9.2 dB
- ISRC
- ES7841925901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Clouding Your Sky - Chus & Ceballos Remixremix9A · 125
- Clouding Your Sky - Gorge Remixremix9A · 124
At 125 BPM in E minor (9A), Clouding Your Sky is a club-tempo house production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 98% of Franky Rizardo's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 98% of Franky Rizardo's catalogue
- Energy:
- calmer than 96% of Franky Rizardo's catalogue
- Groove:
- groovier than 89% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Clouding Your Sky in?
Clouding Your Sky by Franky Rizardo is in E minor, or 9A on the Camelot wheel.
What BPM is Clouding Your Sky?
Clouding Your Sky runs at 125 BPM, a club-tempo track.
What mixes well with Clouding Your Sky?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Clouding Your Sky good for peak time?
With energy 59 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.