Sorry I Am Late
30s preview
- BPM
- 122
- Open Key
- 7d
- Energy
- 43/100
- Pop
- 54/100
- Length
- 3:44
- Released
- 2015
- Genre
- Tech House
- Label
- FFRR
- Loudness
- -12.6 dB
- Dynamics
- 17.3 dB
- ISRC
- DEDH71600053
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Sorry I Am Late sits in F♯ major (2B) at 122 BPM. The feel is balanced in mood. The groove is strong and floor-ready. Vocals read as voice. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2015 production that still circulates in sets. Better known than 99% of Kollektiv Turmstrasse's catalogue.
- Groove:
- groovier than 96% of Kollektiv Turmstrasse's catalogue
- Low end:
- more treble-tilted than 80% of Kollektiv Turmstrasse's catalogue
- Tempo:
- slower than 77% of Kollektiv Turmstrasse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Sorry I Am Late in?
Sorry I Am Late by Kollektiv Turmstrasse is in F♯ major, or 2B on the Camelot wheel.
What BPM is Sorry I Am Late?
Sorry I Am Late runs at 122 BPM, a club-tempo track.
What mixes well with Sorry I Am Late?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Sorry I Am Late good for peak time?
With energy 43 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 122 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Kollektiv Turmstrasse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
