Tonico - Remastered
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 41/100
- Pop
- 1/100
- Length
- 6:54
- Released
- 2019
- Album
- Identity Crisis (Remastered)
- Genre
- Tech House
- Loudness
- -10.6 dB
- Dynamics
- 10.7 dB
- ISRC
- GBLV61807815
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tonicooriginal3B · 122
Tonico - Remastered runs 122 BPM in D♭ major (3B), a club-tempo tech house record. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 97% of Betoko's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 91% of Betoko's catalogue
- Tempo:
- slower than 84% of Betoko's catalogue
- Groove:
- groovier than 77% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Tonico - Remastered in?
Tonico - Remastered by Betoko is in D♭ major, or 3B on the Camelot wheel.
What BPM is Tonico - Remastered?
Tonico - Remastered runs at 122 BPM, a club-tempo track.
What mixes well with Tonico - Remastered?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Tonico - Remastered good for peak time?
With energy 41 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Betoko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
