She Is My Hero
30s preview
- Key
- 7A · D minor
- BPM
- 122
- Open Key
- 12m
- Energy
- 40/100
- Pop
- 0/100
- Length
- 5:52
- Released
- 2018
- Genre
- House
- Loudness
- -11.2 dB
- Dynamics
- 10.5 dB
- ISRC
- DETB31800571
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in D minor (7A), She Is My Hero is a club-tempo house production. The feel is subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Marlon Hoffstadt's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Marlon Hoffstadt's catalogue
- Low end:
- more bass-heavy than 98% of Marlon Hoffstadt's catalogue
- Tempo:
- slower than 80% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 55%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 7%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is She Is My Hero in?
She Is My Hero by Marlon Hoffstadt is in D minor, or 7A on the Camelot wheel.
What BPM is She Is My Hero?
She Is My Hero runs at 122 BPM, a club-tempo track.
What mixes well with She Is My Hero?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is She Is My Hero good for peak time?
With energy 40 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 122 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
