Makina Time
30s preview
- Key
- 5A · C minor
- BPM
- 165
- Half-time
- 83
- Open Key
- 10m
- Energy
- 97/100
- Pop
- 82/100
- Length
- 2:10
- Released
- 2026
- Genre
- House
- Loudness
- -4.0 dB
- Dynamics
- 15.0 dB
- ISRC
- BEIW12500926
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 165 BPM in C minor (5A), Makina Time is a very fast house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). Faster than 99% of Marlon Hoffstadt's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- better known than 99% of Marlon Hoffstadt's catalogue
- Groove:
- less groove-driven than 96% of Marlon Hoffstadt's catalogue
- Energy:
- hotter than 89% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Makina Time in?
Makina Time by Marlon Hoffstadt is in C minor, or 5A on the Camelot wheel.
What BPM is Makina Time?
Makina Time runs at 165 BPM, a very fast track.
What mixes well with Makina Time?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Makina Time good for peak time?
With energy 97 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 165 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
