Very Good by Jody 6 cover art

Very Good

Jody 6

Key
4A · F minor
BPM
150
Half-time
75
Open Key
9m
Energy
100/100
Pop
10/100
Length
6:51
Released
2013
Genre
Hard House
Loudness
-6.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Very Good is a fast hard house track in F minor (4A) at 150 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Faster than 85% of Jody 6's catalogue. In a set it works best as a high-intensity peak cut.

Reach:
better known than 85% of Jody 6's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood28Dark
Groove53
Acoustic0
Instrumental89
Live9
Speech11

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Very Good in?

Very Good by Jody 6 is in F minor, or 4A on the Camelot wheel.

What BPM is Very Good?

Very Good runs at 150 BPM, a fast track.

What mixes well with Very Good?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Very Good good for peak time?

With energy 100 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 150 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

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More from Jody 6

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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