Terrible Conflicts - Gockel Remix
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 4m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:38
- Released
- 2015
- Album
- Terrible Conflicts
- Genre
- Hard Techno
- Loudness
- -4.1 dB
- Dynamics
- 8.8 dB
- ISRC
- DEH741506909
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Terrible Conflicts - DJ Eto Remixremix3A · 156
- Terrible Conflicts - Sheefit Remixremix12A · 152
- Terrible Conflictsoriginal12A · 152
Against the original (12A at 152 BPM), this version runs 2 BPM slower and moves the key from 12A to 11A.
Terrible Conflicts - Gockel Remix: fast hard techno, F♯ minor (11A), 150 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of O.B.I.'s catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 86% of O.B.I.'s catalogue
- Groove:
- less groove-driven than 81% of O.B.I.'s catalogue
- Tempo:
- slower than 75% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Terrible Conflicts - Gockel Remix in?
Terrible Conflicts - Gockel Remix by O.B.I. is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Terrible Conflicts - Gockel Remix?
Terrible Conflicts - Gockel Remix runs at 150 BPM, a fast track.
What mixes well with Terrible Conflicts - Gockel Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Terrible Conflicts - Gockel Remix good for peak time?
With energy 100 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 150 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
