Speaker Cone by Jody 6 cover art

Speaker Cone

Jody 6

30s preview

Key
10B · D major
BPM
150
Half-time
75
Open Key
3d
Energy
100/100
Pop
0/100
Length
6:56
Released
2010
Genre
Hard House
Loudness
-5.5 dB
Dynamics
11.2 dB
ISRC
GBKQU1438427

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast hard house cut, Speaker Cone sits in D major (10B) at 150 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. More underground than 99% of Jody 6's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 85% of Jody 6's catalogue
Low end:
more bass-heavy than 82% of Jody 6's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood13Dark
Groove61
Acoustic0
Instrumental74
Live39
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Speaker Cone in?

Speaker Cone by Jody 6 is in D major, or 10B on the Camelot wheel.

What BPM is Speaker Cone?

Speaker Cone runs at 150 BPM, a fast track.

What mixes well with Speaker Cone?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Speaker Cone good for peak time?

With energy 100 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 150 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#Track

More hard house

#Track

More from Jody 6

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track