Hysterical Bitch by O.B.I. cover art

Hysterical Bitch

O.B.I.

Key
10A · B minor
BPM
150
Half-time
75
Open Key
3m
Energy
100/100
Pop
0/100
Length
5:26
Released
2005
Genre
Hard Techno
Loudness
-3.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Hysterical Bitch is a fast hard techno track in B minor (10A) at 150 BPM. Tonally it lands dark and driving. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. A 2005 production that still circulates in sets. More underground than 99% of O.B.I.'s catalogue. For programming, treat it as a floor-filler.

Brightness:
darker than 84% of O.B.I.'s catalogue
Groove:
groovier than 82% of O.B.I.'s catalogue
Tempo:
slower than 75% of O.B.I.'s catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood4Dark
Groove71
Acoustic0
Instrumental11
Live38
Speech70

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Hysterical Bitch in?

Hysterical Bitch by O.B.I. is in B minor, or 10A on the Camelot wheel.

What BPM is Hysterical Bitch?

Hysterical Bitch runs at 150 BPM, a fast track.

What mixes well with Hysterical Bitch?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Hysterical Bitch good for peak time?

With energy 100 out of 100 at 150 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 150 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

More hard techno

More from O.B.I.

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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