No Time To Sleep - Original Mix
30s preview
- BPM
- 154
- Half-time
- 77
- Open Key
- 8d
- Energy
- 100/100
- Pop
- 24/100
- Length
- 5:24
- Released
- 2025
- Album
- No Time To Sleep
- Genre
- Hard Techno
- Loudness
- -4.2 dB
- Dynamics
- 7.8 dB
- ISRC
- CA5KR2512004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
No Time To Sleep - Original Mix runs 154 BPM in D♭ major (3B), a fast hard techno record. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 97% of O.B.I.'s catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more bass-heavy than 84% of O.B.I.'s catalogue
- Brightness:
- brighter than 77% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is No Time To Sleep - Original Mix in?
No Time To Sleep - Original Mix by O.B.I. is in D♭ major, or 3B on the Camelot wheel.
What BPM is No Time To Sleep - Original Mix?
No Time To Sleep - Original Mix runs at 154 BPM, a fast track.
What mixes well with No Time To Sleep - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is No Time To Sleep - Original Mix good for peak time?
With energy 100 out of 100 at 154 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 154 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 154 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
