Operation 303 - Digital DJ's Remix by Jody 6 cover art

Operation 303 - Digital DJ's Remix

Jody 6

30s preview

Key
9A · E minor
BPM
150
Half-time
75
Open Key
2m
Energy
98/100
Pop
0/100
Length
8:26
Released
2012
Album
Operation 303
Genre
Hard House
Loudness
-8.5 dB
Dynamics
12.0 dB
ISRC
GBKQU1208090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 150 BPM), this version holds the same tempo and moves the key from 9B to 9A.

At 150 BPM in E minor (9A), Operation 303 - Digital DJ's Remix is a fast hard house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Jody 6's catalogue. In a set it works best as a high-intensity peak cut.

Brightness:
brighter than 96% of Jody 6's catalogue
Groove:
groovier than 86% of Jody 6's catalogue
Tempo:
faster than 85% of Jody 6's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood63Balanced
Groove66
Acoustic0
Instrumental87
Live59
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Operation 303 - Digital DJ's Remix in?

Operation 303 - Digital DJ's Remix by Jody 6 is in E minor, or 9A on the Camelot wheel.

What BPM is Operation 303 - Digital DJ's Remix?

Operation 303 - Digital DJ's Remix runs at 150 BPM, a fast track.

What mixes well with Operation 303 - Digital DJ's Remix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Operation 303 - Digital DJ's Remix good for peak time?

With energy 98 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 150 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

More hard house

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More from Jody 6

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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