Terrible Conflicts - Sheefit Remix
30s preview
- BPM
- 152
- Half-time
- 76
- Open Key
- 5m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 6:44
- Released
- 2015
- Album
- Terrible Conflicts
- Genre
- Hard Techno
- Loudness
- -6.4 dB
- Dynamics
- 6.6 dB
- ISRC
- DEH741506908
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Terrible Conflicts - DJ Eto Remixremix3A · 156
- Terrible Conflicts - Gockel Remixremix11A · 150
- Terrible Conflictsoriginal12A · 152
Against the original (12A at 152 BPM), this version holds the same tempo in the same key.
Terrible Conflicts - Sheefit Remix is a fast hard techno track in D♭ minor (12A) at 152 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 7 dB). A 2015 production that still circulates in sets. More underground than 99% of O.B.I.'s catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 87% of O.B.I.'s catalogue
- Low end:
- more bass-heavy than 87% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Terrible Conflicts - Sheefit Remix in?
Terrible Conflicts - Sheefit Remix by O.B.I. is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Terrible Conflicts - Sheefit Remix?
Terrible Conflicts - Sheefit Remix runs at 152 BPM, a fast track.
What mixes well with Terrible Conflicts - Sheefit Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Terrible Conflicts - Sheefit Remix good for peak time?
With energy 100 out of 100 at 152 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 152 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 152 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
