Fight Club by Charlie Sparks cover art

Fight Club

Charlie Sparks

Key
11A · F♯ minor
BPM
76
Double-time
152
Open Key
4m
Energy
94/100
Pop
36/100
Length
3:52
Released
2026
Genre
Techno
Loudness
-5.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 76 BPM in F♯ minor (11A), Fight Club is a techno production. The feel is bright and euphoric. The mix is almost entirely instrumental. Slower than 99% of Charlie Sparks's catalogue. For programming, treat it as a floor-filler.

Brightness:
brighter than 96% of Charlie Sparks's catalogue
Reach:
better known than 93% of Charlie Sparks's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood78Bright
Groove70
Acoustic0
Instrumental73
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fight Club in?

Fight Club by Charlie Sparks is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Fight Club?

Fight Club runs at 76 BPM.

What mixes well with Fight Club?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Fight Club good for peak time?

With energy 94 out of 100 at 76 BPM, it works best as a floor-filler.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 76 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 76 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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