Hype Boy (extended mix) by Lilly Palmer cover art

Hype Boy (extended mix)

Lilly Palmer

Key
2A · E♭ minor
BPM
152
Half-time
76
Open Key
7m
Energy
98/100
Pop
53/100
Length
3:17
Released
2024
Genre
Techno
Loudness
-4.1 dB
ISRC
DEN062400680
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 152 BPM in E♭ minor (2A), Hype Boy (extended mix) is a fast techno production. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. Better known than 94% of Lilly Palmer's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 90% of Lilly Palmer's catalogue
Energy:
hotter than 85% of Lilly Palmer's catalogue
Brightness:
brighter than 79% of Lilly Palmer's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood48Balanced
Groove67
Acoustic0
Instrumental85
Live18
Speech9

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Hype Boy (extended mix) in?

Hype Boy (extended mix) by Lilly Palmer is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Hype Boy (extended mix)?

Hype Boy (extended mix) runs at 152 BPM, a fast track.

What mixes well with Hype Boy (extended mix)?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Hype Boy (extended mix) good for peak time?

With energy 98 out of 100 at 152 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 152 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 152 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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