MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix
30s preview
- BPM
- 151
- Half-time
- 76
- Open Key
- 8m
- Energy
- 94/100
- Pop
- 46/100
- Length
- 5:06
- Released
- 2024
- Genre
- Techno
- Loudness
- -6.3 dB
- Dynamics
- 9.7 dB
- ISRC
- QZLBC2403609
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix runs 151 BPM in B♭ minor (3A), a fast techno record. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 94% of Marlon Hoffstadt's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 88% of Marlon Hoffstadt's catalogue
- Brightness:
- brighter than 77% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix in?
MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix by Marlon Hoffstadt is in B♭ minor, or 3A on the Camelot wheel.
What BPM is MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix?
MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix runs at 151 BPM, a fast track.
What mixes well with MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is MONEY ON THE DASH - Marlon Hoffstadt aka DJ Daddy Trance Remix good for peak time?
With energy 94 out of 100 at 151 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 151 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 142-160 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 151 — beatmatch without a big tempo pull.
More techno
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 151 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
