My Mama Dropped LSD in the 90's (extended)
30s preview
- BPM
- 148
- Half-time
- 74
- Open Key
- 4d
- Energy
- 96/100
- Pop
- 51/100
- Length
- 2:57
- Released
- 2024
- Genre
- Techno
- Loudness
- -5.4 dB
- Dynamics
- 10.5 dB
- ISRC
- DEE862400811
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
My Mama Dropped LSD in the 90's (extended) is a fast techno track in A major (11B) at 148 BPM. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 94% of Marlon Hoffstadt's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 85% of Marlon Hoffstadt's catalogue
- Tempo:
- faster than 84% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is My Mama Dropped LSD in the 90's (extended) in?
My Mama Dropped LSD in the 90's (extended) by Marlon Hoffstadt is in A major, or 11B on the Camelot wheel.
What BPM is My Mama Dropped LSD in the 90's (extended)?
My Mama Dropped LSD in the 90's (extended) runs at 148 BPM, a fast track.
What mixes well with My Mama Dropped LSD in the 90's (extended)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is My Mama Dropped LSD in the 90's (extended) good for peak time?
With energy 96 out of 100 at 148 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 148 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More techno
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
