Dooms Night
30s preview
- BPM
- 148
- Half-time
- 74
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 54/100
- Length
- 3:26
- Released
- 2024
- Genre
- Techno
- Loudness
- -4.7 dB
- Dynamics
- 8.7 dB
- ISRC
- DEN062400786
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dooms Night is a fast techno track in D♭ major (3B) at 148 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 97% of Lilly Palmer's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 79% of Lilly Palmer's catalogue
- Energy:
- hotter than 76% of Lilly Palmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Dooms Night in?
Dooms Night by Lilly Palmer is in D♭ major, or 3B on the Camelot wheel.
What BPM is Dooms Night?
Dooms Night runs at 148 BPM, a fast track.
What mixes well with Dooms Night?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Dooms Night good for peak time?
With energy 95 out of 100 at 148 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 148 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More techno
More from Lilly Palmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
