All You Got To Do
30s preview
- Key
- 8A · A minor
- BPM
- 148
- Half-time
- 74
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 40/100
- Length
- 3:07
- Released
- 2024
- Genre
- Techno
- Loudness
- -6.5 dB
- Dynamics
- 9.5 dB
- ISRC
- DEN062400462
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 148 BPM in A minor (8A), All You Got To Do is a fast techno production. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 81% of Lilly Palmer's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 79% of Lilly Palmer's catalogue
- Low end:
- more treble-tilted than 76% of Lilly Palmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All You Got To Do in?
All You Got To Do by Lilly Palmer is in A minor, or 8A on the Camelot wheel.
What BPM is All You Got To Do?
All You Got To Do runs at 148 BPM, a fast track.
What mixes well with All You Got To Do?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is All You Got To Do good for peak time?
With energy 88 out of 100 at 148 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 148 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More techno
More from Lilly Palmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
