Drop That Beat - Original Mix
30s preview
- BPM
- 148
- Half-time
- 74
- Open Key
- 8m
- Energy
- 99/100
- Pop
- 2/100
- Length
- 6:03
- Released
- 2016
- Album
- Night Train
- Genre
- Techno
- Loudness
- -6.1 dB
- Dynamics
- 9.3 dB
- ISRC
- NLCK41031341
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Drop That Beat - Xavier Remixremix9B · 150
A fast techno cut, Drop That Beat - Original Mix sits in B♭ minor (3A) at 148 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Faster than 95% of Fatima Hajji's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 82% of Fatima Hajji's catalogue
- Reach:
- more underground than 79% of Fatima Hajji's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Drop That Beat - Original Mix in?
Drop That Beat - Original Mix by Fatima Hajji is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Drop That Beat - Original Mix?
Drop That Beat - Original Mix runs at 148 BPM, a fast track.
What mixes well with Drop That Beat - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Drop That Beat - Original Mix good for peak time?
With energy 99 out of 100 at 148 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 148 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More techno
More from Fatima Hajji
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
