Oxitocina by Fatima Hajji cover art

Oxitocina

Fatima Hajji

30s preview

Key
11A · F♯ minor
BPM
143
Half-time
72
Open Key
4m
Energy
100/100
Pop
29/100
Length
3:05
Released
2023
Genre
Techno
Label
Silver M
Loudness
-2.4 dB
Dynamics
12.1 dB
ISRC
UKR6V2343328

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Oxitocina sits in F♯ minor (11A) at 143 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 97% of Fatima Hajji's catalogue. For programming, treat it as a high-intensity peak cut.

Energy:
hotter than 94% of Fatima Hajji's catalogue
Groove:
less groove-driven than 91% of Fatima Hajji's catalogue
Reach:
better known than 89% of Fatima Hajji's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood4Dark
Groove55
Acoustic0
Instrumental90
Live53
Speech23

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Oxitocina in?

Oxitocina by Fatima Hajji is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Oxitocina?

Oxitocina runs at 143 BPM, a driving up-tempo track.

What mixes well with Oxitocina?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Oxitocina good for peak time?

With energy 100 out of 100 at 143 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 143 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 143 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from Fatima Hajji

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track