COLLATERAL DAMAGE by SNTS cover art

COLLATERAL DAMAGE

SNTS

30s preview

Key
6A · G minor
BPM
143
Half-time
72
Open Key
11m
Energy
98/100
Pop
13/100
Length
5:26
Released
2022
Genre
Techno
Loudness
-5.7 dB
Dynamics
7.0 dB
ISRC
NLCK42222869

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

COLLATERAL DAMAGE: driving up-tempo techno, G minor (6A), 143 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 7 dB). Faster than 82% of SNTS's catalogue. In a set it works best as a high-intensity peak cut.

Reach:
better known than 82% of SNTS's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood26Dark
Groove45
Acoustic0
Instrumental96
Live15
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is COLLATERAL DAMAGE in?

COLLATERAL DAMAGE by SNTS is in G minor, or 6A on the Camelot wheel.

What BPM is COLLATERAL DAMAGE?

COLLATERAL DAMAGE runs at 143 BPM, a driving up-tempo track.

What mixes well with COLLATERAL DAMAGE?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is COLLATERAL DAMAGE good for peak time?

With energy 98 out of 100 at 143 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#Track

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 143 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 143 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track