Hopeless - Paula Temple's Descent Into Madness Remix
- BPM
- 142
- Half-time
- 71
- Open Key
- 5m
- Energy
- 97/100
- Pop
- 24/100
- Length
- 5:35
- Released
- 2021
- Album
- The Unfinished Fight Against Humanity Remixed EP
- Genre
- Techno
- Loudness
- -5.4 dB
- ISRC
- NLCK41091771
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hopelessoriginal6A · 83
Against the original (6A at 83 BPM), this version runs 59 BPM faster and moves the key from 6A to 12A.
A driving up-tempo techno cut, Hopeless - Paula Temple's Descent Into Madness Remix sits in D♭ minor (12A) at 142 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Better known than 95% of SNTS's catalogue.
- Tempo:
- faster than 78% of SNTS's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hopeless - Paula Temple's Descent Into Madness Remix in?
Hopeless - Paula Temple's Descent Into Madness Remix by SNTS is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Hopeless - Paula Temple's Descent Into Madness Remix?
Hopeless - Paula Temple's Descent Into Madness Remix runs at 142 BPM, a driving up-tempo track.
What mixes well with Hopeless - Paula Temple's Descent Into Madness Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Hopeless - Paula Temple's Descent Into Madness Remix good for peak time?
With energy 97 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 142 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from SNTS
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
