An Era of Absurdity by SNTS cover art

An Era of Absurdity

SNTS

Key
9B · G major
BPM
150
Half-time
75
Open Key
2d
Energy
99/100
Pop
37/100
Length
4:56
Released
2020
Genre
Techno
Loudness
-5.3 dB
ISRC
NLCK41091772

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, An Era of Absurdity sits in G major (9B) at 150 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Better known than 99% of SNTS's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 91% of SNTS's catalogue
Energy:
hotter than 83% of SNTS's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood18Dark
Groove38
Acoustic0
Instrumental95
Live65
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is An Era of Absurdity in?

An Era of Absurdity by SNTS is in G major, or 9B on the Camelot wheel.

What BPM is An Era of Absurdity?

An Era of Absurdity runs at 150 BPM, a fast track.

What mixes well with An Era of Absurdity?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is An Era of Absurdity good for peak time?

With energy 99 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 150 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from SNTS

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track