Sonic Runs
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 4d
- Energy
- 100/100
- Pop
- 2/100
- Length
- 5:22
- Released
- 2015
- Genre
- Hardcore
- Loudness
- -1.3 dB
- Dynamics
- 15.7 dB
- ISRC
- QZJRB1994169
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 150 BPM in A major (11B), Sonic Runs is a fast hardcore production. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2015 production that still circulates in sets. More treble-tilted than 96% of Somniac One's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 84% of Somniac One's catalogue
- Reach:
- more underground than 84% of Somniac One's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Sonic Runs in?
Sonic Runs by Somniac One is in A major, or 11B on the Camelot wheel.
What BPM is Sonic Runs?
Sonic Runs runs at 150 BPM, a fast track.
What mixes well with Sonic Runs?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Sonic Runs good for peak time?
With energy 100 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Do You Know Why You Love Techno (feat. Elina) [Intro] by Nico Moreno cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/30a47286333c8c4af06a.webp){kind=small}
How to mix it
In 11B at 150 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More hardcore
More from Somniac One
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
