Nightmare Killer by Marco Ginelli cover art

Nightmare Killer

Marco Ginelli

Key
2B · F♯ major
BPM
150
Half-time
75
Open Key
7d
Energy
96/100
Pop
0/100
Length
6:20
Released
2022
Genre
Techno
Loudness
-9.6 dB
ISRC
GBRKQ2289917

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Nightmare Killer is a fast techno track in F♯ major (2B) at 150 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Marco Ginelli's catalogue.

Tempo:
faster than 96% of Marco Ginelli's catalogue
Energy:
hotter than 82% of Marco Ginelli's catalogue
Brightness:
darker than 80% of Marco Ginelli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood4Dark
Groove63
Acoustic0
Instrumental87
Live31
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Nightmare Killer in?

Nightmare Killer by Marco Ginelli is in F♯ major, or 2B on the Camelot wheel.

What BPM is Nightmare Killer?

Nightmare Killer runs at 150 BPM, a fast track.

What mixes well with Nightmare Killer?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Nightmare Killer good for peak time?

With energy 96 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 150 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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