492 by Marco Ginelli cover art

30s preview

Key
3A · B♭ minor
BPM
165
Half-time
83
Open Key
8m
Energy
99/100
Pop
3/100
Length
5:37
Released
2024
Genre
Hard Techno
Loudness
-9.5 dB
Dynamics
9.1 dB
ISRC
CA5KR2505012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

492 is a very fast hard techno track in B♭ minor (3A) at 165 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 99% of Marco Ginelli's catalogue. For programming, treat it as a high-intensity peak cut.

Reach:
better known than 99% of Marco Ginelli's catalogue
Energy:
hotter than 92% of Marco Ginelli's catalogue
Groove:
less groove-driven than 84% of Marco Ginelli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood36Balanced
Groove55
Acoustic1
Instrumental75
Live41
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is 492 in?

492 by Marco Ginelli is in B♭ minor, or 3A on the Camelot wheel.

What BPM is 492?

492 runs at 165 BPM, a very fast track.

What mixes well with 492?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is 492 good for peak time?

With energy 99 out of 100 at 165 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 165 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 165 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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