Because They Want Our Seat
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 8m
- Energy
- 99/100
- Pop
- 56/100
- Length
- 3:52
- Released
- 2024
- Genre
- Techno
- Loudness
- -6.2 dB
- Dynamics
- 6.6 dB
- ISRC
- DGA092432220
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 160 BPM in B♭ minor (3A), Because They Want Our Seat is a very fast techno production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 7 dB). Better known than 91% of Nico Moreno's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 83% of Nico Moreno's catalogue
- Low end:
- more bass-heavy than 81% of Nico Moreno's catalogue
- Energy:
- hotter than 80% of Nico Moreno's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Because They Want Our Seat in?
Because They Want Our Seat by Nico Moreno is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Because They Want Our Seat?
Because They Want Our Seat runs at 160 BPM, a very fast track.
What mixes well with Because They Want Our Seat?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Because They Want Our Seat good for peak time?
With energy 99 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 160 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from Nico Moreno
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
