She Is Corrupted by Nico Moreno cover art

She Is Corrupted

Nico Moreno

30s preview

Key
1B · B major
BPM
138
Open Key
6d
Energy
96/100
Pop
40/100
Length
5:49
Released
2019
Genre
Techno
Loudness
-5.7 dB
Dynamics
20.7 dB
ISRC
DEH742041535

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 138 BPM in B major (1B), She Is Corrupted is a driving up-tempo techno production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 21 dB). Slower than 97% of Nico Moreno's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 94% of Nico Moreno's catalogue
Brightness:
darker than 89% of Nico Moreno's catalogue
Low end:
more treble-tilted than 88% of Nico Moreno's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood4Dark
Groove74
Acoustic5
Instrumental82
Live9
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is She Is Corrupted in?

She Is Corrupted by Nico Moreno is in B major, or 1B on the Camelot wheel.

What BPM is She Is Corrupted?

She Is Corrupted runs at 138 BPM, a driving up-tempo track.

What mixes well with She Is Corrupted?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is She Is Corrupted good for peak time?

With energy 96 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 138 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track