Forsaken
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 4m
- Energy
- 100/100
- Pop
- 4/100
- Length
- 6:01
- Released
- 2016
- Genre
- Hardcore
- Loudness
- -2.6 dB
- Dynamics
- 7.3 dB
- ISRC
- DEAR41634215
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Forsaken runs 160 BPM in F♯ minor (11A), a very fast hardcore record. It reads as dark and driving. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Hotter than 84% of Somniac One's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 81% of Somniac One's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Forsaken in?
Forsaken by Somniac One is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Forsaken?
Forsaken runs at 160 BPM, a very fast track.
What mixes well with Forsaken?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Forsaken good for peak time?
With energy 100 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 160 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More hardcore
More from Somniac One
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
