Bro Is Mad by Marco Ginelli cover art

Bro Is Mad

Marco Ginelli

Key
10A · B minor
BPM
157
Half-time
79
Open Key
3m
Energy
97/100
Pop
0/100
Length
5:53
Released
2023
Genre
Techno
Loudness
-12.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, Bro Is Mad sits in B minor (10A) at 157 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Marco Ginelli's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 98% of Marco Ginelli's catalogue
Brightness:
darker than 92% of Marco Ginelli's catalogue
Energy:
hotter than 84% of Marco Ginelli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood4Dark
Groove60
Acoustic5
Instrumental94
Live57
Speech15

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Bro Is Mad in?

Bro Is Mad by Marco Ginelli is in B minor, or 10A on the Camelot wheel.

What BPM is Bro Is Mad?

Bro Is Mad runs at 157 BPM, a fast track.

What mixes well with Bro Is Mad?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Bro Is Mad good for peak time?

With energy 97 out of 100 at 157 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 157 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 148-166 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 157 — beatmatch without a big tempo pull.

More techno

More from Marco Ginelli

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 157 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track