Toter Schmetterling
30s preview
- BPM
- 156
- Half-time
- 78
- Open Key
- 4m
- Energy
- 93/100
- Pop
- 59/100
- Length
- 3:54
- Released
- 2024
- Genre
- Techno
- Loudness
- -4.5 dB
- Dynamics
- 14.6 dB
- ISRC
- DEUM72500456
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Toter Schmetterling is a fast techno track in F♯ minor (11A) at 156 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 99% of KlangKuenstler's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 98% of KlangKuenstler's catalogue
- Low end:
- more treble-tilted than 98% of KlangKuenstler's catalogue
- Brightness:
- darker than 79% of KlangKuenstler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Toter Schmetterling in?
Toter Schmetterling by KlangKuenstler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Toter Schmetterling?
Toter Schmetterling runs at 156 BPM, a fast track.
What mixes well with Toter Schmetterling?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Toter Schmetterling good for peak time?
With energy 93 out of 100 at 156 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 156 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 147-165 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 156 — beatmatch without a big tempo pull.
More techno
More from KlangKuenstler
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 156 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
