Disco Shit - Original
30s preview
- BPM
- 157
- Half-time
- 79
- Open Key
- 4d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 6:13
- Released
- 2012
- Album
- We Are Criminals
- Genre
- Hard Techno
- Loudness
- -4.4 dB
- Dynamics
- 7.7 dB
- ISRC
- DEAR41238950
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 157 BPM in A major (11B), Disco Shit - Original is a fast hard techno production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2012 production that still circulates in sets. More underground than 99% of O.B.I.'s catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 95% of O.B.I.'s catalogue
- Low end:
- more bass-heavy than 87% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Disco Shit - Original in?
Disco Shit - Original by O.B.I. is in A major, or 11B on the Camelot wheel.
What BPM is Disco Shit - Original?
Disco Shit - Original runs at 157 BPM, a fast track.
What mixes well with Disco Shit - Original?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Disco Shit - Original good for peak time?
With energy 99 out of 100 at 157 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 157 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 148-166 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 157 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 157 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
